I studied at Keene State College, developing a Visual Arts degree (dual major Art/Journalism) and receiving a BA in Visual Arts in 1987. I continued focused studies over the years with Richard McKinley, Albert Handel, Robert Carsten and others in oil and pastel mediums. 

I’ve taught pastel techniques and varied painting mediums over the years, first for Sharon Art Center, NHIA and Jaffrey Civic Center.  

My work has been shown primarily in New England and is in private collections throughout the US and Internationally.  

I live in Marlborough, NH, where I have a studio.

When did you know you wanted to be an artist?

I was attracted to art expression at a young age. First seeing the art on the covers of the Saturday Evening Post, and later on family trips, I would draw during car rides. In my high school years I entrenched myself in art classes, museum visits and other art focused activities. 

How would you describe your art to someone who has never seen it? 

I suggest my landscapes are “For the Young at Heart” due to my use of expressive color and painterly style. 

Much of my work employs a broken color technique giving it added vibrancy.

What achievements in the area of art are you proudest of?

I have been honored to receive several awards. In 2017, I was granted with a “Ewing Award” along with The Historical Society of Cheshire County for establishing an exhibit which portrayed landscapes and landmarks of the region.

Keene State College named me a “First Person” honoree for applying my degree studies in the Community, and lastly, in 2024, I received a “Woman in the Arts” recognition by the NH Daughters of the American Revolution.

How would you describe your art process?  

Typically my process starts with an inspiration from visiting or traveling, though I have varied my subject areas to still life and fantasy works as well. Photos help me recall what I am not able to put down on initial plein air studies. Those pieces not completed on site are completed in my studio setting.

What is your usual studio/working day like?

I try to apportion a time each day to focused work. Usually 3 to 4 days a week are dedicated studio days painting, finishing and framing. The remaining 2 days are used for marketing and assembly —delivery of art cards and matted work to local retailers.

What is the most delightful part of your life outside of work?

Traveling to new locations, photography, exploring the out of doors and listening to music provide stimulation and relaxation.